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Chinese Era

The Chinese era is the symbol that the Chinese calendar uses for recording and naming years. The ten Heavenly Stems are: jia, yi, bing, ding, wu, ji, geng, xin, ren, gui. The twelve Earthly Branches are: zi.chou, yin, mou, chen, si, wu, wei, shen, you, xu, hai. After observing the lunar month, the ancients found that the moon always wazes and wanes roughly 12 times a year, and two lunar months account for about 60 days, so the order of the ten Heavenly Stems and the order of the twelve Earthly Branches are properly matched in turn. In terms of recording date, 60 years is considered to be a full time cycle. The Chinese era chronology was first invented in ancient times and is still in use now. according to the chronology of the ¡°ten Heavenly Stems,¡± 2011 is the year of ¡°the seventh of the ten Heavenly Stems¡± and ¡° the fifth of the twelve Earthly Branches¡±.

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Book 2

1ÖйúË¿³ñ

ÖйúÊÇË¿³ñµÄ¹ÊÏç¡£ÔÔÉ£¡¢Ñø²Ï¡¢çÒË¿¡¢Ö¯³ñÊÇÖйú¹Å´úÈËÃñµÄΰ´ó·¢Ã÷¡£ÉÌÖÜʱÆÚ£¨Ç°1600¡ªÇ°256£©Ë¿³ñµÄÉú²ú¼¼Êõ¾ÍÒѾ­·¢Õ¹µ½Ï൱¸ßµÄˮƽ¡£Î÷ºº£¨Ç°206¡ª¹«Ôª25£©Ê±ÕÅå¹Í¨Î÷Óò£¬°ÑÖÐÔ­Ó벨˹Íå¡¢µØÖк£½ôÃÜÁªÏµÆðÀ´£¬¿ª±ÙÁËÖÐÍâ½»Á÷óÒ×µÄмÍÔª¡£´Ó´ËÖйúµÄË¿³ñÒÔÆä׿ԽµÄÆ·ÖÊ¡¢¾«ÃÀµÄ»¨É«ºÍ·á¸»µÄÎÄ»¯ÄÚº­ÎÅÃûÓÚÊÀ£¬³ÉΪÖйúÎÄ»¯µÄÏóÕ÷¡¢¶«·½ÎÄÃ÷µÄʹÕß¡£

Chinese silk

China is the home of silk. Mulberry planting, sericulture, silk reeling and thickening are all great inventions of the ancient Chinese. As early as the Shang and Zhou Dynasties (1600BC¡ª256BC), the Chinese people¡¯s silk-weaving techniques had reached an extremely high level. During the Western Han Dynasty(206BC¡ª25BC), Zhang Qian, an outstanding diplomat, traveled around central Asia and connected China with the Persian Gulf and the Mediterranean, opening up a new era of Sino-foreign trade, exch ange and communication. From then on, China¡¯s silk became well known for its extraordinary quality, exquisite design and color, and abundant cultural connotations. Hitherto, Chinese silk has been accepted as a symbol of Chinese culture and the emissary of oriental civilization.

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ÖйúÔ°ÁÖÊǰÑÈËÔìµÄɽˮ¡¢Ö²Îï¡¢½¨ÖþµÈÓë×ÔÈ»µØÃ²Óлú½áºÏµÄ»·¾³ÒÕÊõ£¬ÊÇÎÒ¹ú¹Å´ú½¨ÖþÒÕÊõµÄÕ䱦¡£Æä½¨ÔìÔ­ÔòÊÇ¡°Ã×ÔÈ»£¬Íð×ÔÌ쿪¡± ¡£ÓÎÉÍÖйú¹ÅµäÔ°ÁÖ£¬Äܳä·ÖÁìÂÔ¡°¼Ù×ÔȻ֮¾°£¬´´É½Ë®ÕæÈ¤¡±µÄÔ°ÁÖÒâ¾³¡£ÔÚÊÀ½çÈý´óÔ°ÁÖÌåϵÖУ¬ÖйúÔ°ÁÖÀúÊ·ÓÆ¾Ã¡¢ÄÚº­·á¸»£¬±»ÓþΪÊÀ½çÔìÔ°Ê·ÉϵÄÔ¨Ô´Ö®Ò»¡£

The Chinese Classical garden

The Chinese Classical garden is a precious treasure of our ancient Chinese architecture. It is a kind of environmental art, which systematically combines artificial mountains and rivers, plants and buildings with the natural landscape. The construction standard of a Chinese classical garden is ¡°artificial as it is, the garden must look ingenious and natural.¡± When you go sightseeing in a Chinese classical garden, you should be able to appreciate its artistic concept which ¡°makes use of the natural landscape to create the real fun of mountains and rivers for

viewe rs.¡± Of the world¡¯s three major garden systems, the Chinese classical garden is hailed as one of the origins of the world¡¯s garden due to its long history and abundant connotations.

3ÎÄ·¿Ëı¦

±ÊīֽÑâÊÇÖйú¹Å´úÎÄÈËÊé·¿Öбر¸µÄ±¦±´£¬±»³ÆÎª¡°ÎÄ·¿Ëı¦¡± ¡£ÓñÊÄ«Êéд»æ»­ÔÚÖйú¿É×·Ëݵ½ÎåǧÄêǰ¡£ÇØ£¨Ç°221---ǰ206£©Ê±ÒÑÓò»Í¬Ó²¶ÈµÄëºÍÖñ¹ÜÖÆ±Ê£»ºº´ú£¨Ç°206¡ª¹«Ôª220£©ÒÔÈ˹¤ÖÆÄ«Ìæ´úÁËÌìȻÓÐÁËÖ½ÕÅÖ®ºó£¬¼òë¹½õ²¯ÖðʧÆäÓã»Ñą̂ÔòËæ±ÊÄ«µÄʹÓöø·¢Õ¹¡£¡°ÎÄ·¿Ëı¦¡±µ½Ëγ¯£¨960--1279£©ÒÔºóÌØÖ¸ºþ±Ê£¨Õã½­ºþÖÝ£©¡¢»ÕÄ«£¨°²»Õ»ÕÖÝ£©¡¢ÐûÖ½£¨°²»ÕÐûÖÝ£©¡¢¶ËÑ⣨¹ã¶«ÕØÇ죬¹Å³Æ¶ËÖÝ£©¿ÉÒÔ˵ÎÄ·¿Ëı¦ÊéдÁËÕû¸öÖлªÎÄÃ÷¡£Four Treasures of the Study

The writing brush, inkstick, inkstone, and paper were requisite treasures in the study of the scholars of ancient China, and they are often referred to as the ¡°Four Treasures of the Study.¡± The writing brush and inkstick have been used by the Chinese to write and paint since 5,000 years ago.

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In the QinDynasty(221BC¡ª206BC), people already used feathers of different hardness and bamboo trunks to make brushes. During the Han Dynasty(206BC¡ª220AD), man-made ink was used instead of natural ink. After paper was invented by the Chinese, bamboo slips, wooden tablets, brocade and silk, which originally functioned as writing surfaces, gradually faded out. The inkstone was first developed with the use of writing brushes and ink. After the Song Dynasty(960AD¡ª1279AD), the ¡°Four Treasures of the Study¡± particularly referred to hubi, the writing brush produced in Huzhou, Zhangjiang province; huimo, the inkstick produced in Huizhou, Anhui province; xuan paper, a kind of paper produced in Xuanzhou, Anhui province; and duanyan, the inkstone made in Zhapqing, Guangdong province(Zhaoqing was earlier called Duanzhou). Indeed, the ¡°Four Treasures of the Study¡± have written the whole Chinese civilization, as it is.

4¶ÔÁª

¶ÔÁªÓÖ³ÆéºÁª»ò¶Ô×Ó£¬ÊÇÒÔÖÐÎÄÓïÑÔÒ»×ÖÒ»ÒôµÄÌØÕ÷׫дµÄÒ»ÖÖÃñ×åÎÄÌå¡£Öйú¶ÔÁªµÄÕÜѧԨԴ¼°Éî²ãÃñ×åÎÄ»¯ÐÄÀí£¬ÄËÊǹŴúÖйúÈ˰ÑÎÕºÍÈÏʶÊÂÎïµÄÒõÑô¶þÔª¹ÛÄî¡£¶ÔÁªµÄÌØÕ÷ÊÇ¡°¶ÔÕÌ¡± £º×ÖÊýÏàµÈ£¬´ÊÐÔÏ൱£¬Æ½ØÆÏàºÏ£¬ÄÚÈÝÏà¹Ø£¬½Ú×àÏàÓ¦¡£¶ÔÁªÏ°Ë×¶àÑù£¬ÓдºÁª¡¢»éÁª¡¢ÊÙÁª¡¢ÍìÁª¡¢²èÁªµÈ¡£

The antithetical couplet

The antithetical couplet(also called duilian)is also known as yinglian or duizi. An antithetical couplet is a kind of national writing style, which is composed by the skillful manipulation of the characteristic of the Chinese language that one character corresponds with one syllable . The philosophical origin and national cultural psychology o ¡­¡­ ´Ë´¦Òþ²Ø£º4979×Ö£¬È«²¿ÎĵµÄÚÈÝÇëÏÂÔØºó²é¿´¡£Ï²»¶¾ÍÏÂÔØ°É ¡­¡­

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